Wednesday, June 9, 2010

Dear Table & Easel,



When I graduated from High School (waaaay back in the 90's), it was decided (in my very young, very naive head) that I was going to be an artist, and take it very seriously. My mom and dad bought me an art table - a real art table. The kind you see everywhere, at every art store. Well, needless to say, my table was set up immediately, in the living room (that the six of us shared) at home. I used it every day, very proudly, very "importantly". That's where I sat and (tried) to teach myself everything I've come to know today. I love that table, we've been through everything together. I see wonderful, old, sturdy beautiful wood tables now and then that I would love to have and use as a professional artist, but the thought of buying a new table and replacing MY table - breaks my heart. This one is the one for me.



In the summer after graduation, when I CERTAINLY did not know how to paint, I guess I felt I needed an easel. I don't know how it came about, but my Grampa ended up giving me all his saved up change (he did not have much money at all anyway) to buy myself an easel. I went to Aaron Brothers, and picked out the easel that suited my needs and that fell into the budgeted jar of change. (This sounds so silly - like I was 7 years old - no, I was 18 - I told you, naive) I immediately set it up (in the living room), and tried to paint. I very soon got frustrated, gave up on paint, packed up my easel and set it out in the garage. For years. I still have that easel, it's the very same one I taught myself how to paint with (or on), and the very same one I use today (all these years later). Again, I see lovely strong easels, high as the sky and built to get beat, but the thought of buying a new one and replacing mine - breaks my heart.

This table and easel are run of the mill, nondescript pieces to the average person, but to me, they are my life. And now, with both my mom and my grampa gone, they mean so much more to me than ever. I wish they were here, so I could thank em, and they could see (after all the years) that I understand just what they gave me.

Monday, June 7, 2010

American Art Collector & Sketch Theatre For MHSNF



Yay!! This month's American Art Collector has a beautiful piece about my new show!! In the feature, you can peek in and behold three new images of works that are part of My Heart Shall Not Fear. The interview went great, I really appreciate their support and the support of the Corey Helford Gallery.

"Brandi Milne has a unique voice that I can only describe as 'Nouveau surreal'. The fantasy of her imagery is dream-like, but like dreams, very connected to the psyche of the artist. The overt impression one gets from My Heart Shall Not Fear is delicacy and dark beauty, but the latent message is about mortality and the magic of renewal." -Jan Helford, Owner, Corey Helford Gallery




(Here's the great Jan Helford and me at the gallery this past Friday!)



Aaaand, for your viewing and listening pleasure, My friend Lily from Sketch Theatre had me back for a fourth installment ~ see my Candy Head Girl from start to finish in less than two minutes to the musical stylings of Modest Mouse!!



I got to spend some more time with Lily (left), in a mushroom house - built by one Mr. Rick O'Brien at the enchanted home of Rick and Mindy (MISS Mindy) over the weekend. Good-time-guy Bob Self (Baby Tattoo Books) and the O'Briens hosted a Mid Summer Night's Dream Dr. Sketchy's - good times all around!!



Here are sad times upon departure...but it's back to the drawing board for the both of us!!

Thursday, June 3, 2010

Press On!



I'm trudging thru my last piece for the show (the last piece!), getting organized to do press releases, setting up for the photography of the final pieces, making final decisions for the extra tidbits opening night at the gallery, getting my hair colored and thinking about what to wear opening night. But things're bien mucho, I'm stoked! When all is revealed after my show, I'll be able to take you thru some of the specific pieces - inspirations and struggles, cuz to me, that's the fun part!

Just wanted to pop in and say hello! Hope all is well out there, as always!!

Friday, May 28, 2010

Free Bird



Birds represent ultimate freedom. If I were to make a painting, and include a bird of any sort, this might give a little more insight to the story. Birds are freedom. Freedom is life. Just might.

Thursday, May 27, 2010

Hustlin N Bustlin, No Joke



I've been all quiet on the western front as of late, I know. I've been working my fingers to the skinny over here, getting things all finished up for the big show. But I wanted to share with you the show card found in Juxtapoz this month! It's the very first image of all the images kept so secret between myself and the gallery. It's getting really exciting, and I'm starting to see the finish line up ahead.



Sleepless nights turn into days and days of painting, emailing, documenting, and more painting. It's definitely a labor of love and beyond at this point, like you've built a story~ and characters that become your family. It'll feel very strange when all the work is out of my hands and in the very capable hands of the Corey Helford Gallery in a few weeks. To work this long, this hard and this intensely on such a large body of work and then stop when it's finished, feels very....lonely. And quiet. !!!But I'm not quite there yet! Still crazy hustlin and crowded here, for a few more weeks at least...



I got myself up to Hollywood today (fighting traffic there and back) to do an interview at the Sketch Theatre Studio. The very fun and lovely Lola played the part of the interviewer, and we had a great time goofing off with our silly-girl jitters for the camera. Lily Feliciano (Sketch Theatre) has her work of editing cut out for her, but she was half the trouble herself!! We had such a fun time! I also had a moment to bust out a special sketch on camera that will debut before the show (as well as the interview). I'll be sure to keep the updates flowin! Til then, be well!!

Tuesday, May 18, 2010

Bristol, England, Oh How I Love Thee



Just back from Bristol, what a trip! I'm ready to attack my art world like nobody's business but my own, I can't even tell you!!



Stories and inspired moments will come, I just gotta tackle my work as soon as I can. You know how I love to share!



Thank you lovely people for coming out, supporting the arts, loving Bristol, Corey Helford & the such! I'm outta my mind inspired, I can't even think!! AAAAHHHHRRRRR!!

Tuesday, May 11, 2010

Bright Eyes





The tail end wrap-up work of My Heart Shall Not Fear's about to get blown wide open! My eyes haven't seen nothin yet...

Monday, May 3, 2010

New Breath



I needed these.



A new breath of inspiration just at the right moment. I'm working on a darker piece of artwork for the show, still whimsical but darker all the same. These images of Remedios Varo's work have given me that boost of freshness I needed - just in time!



The search for inspiration is endless, inspiring and priceless. Now let's get back down to work!!

Thursday, April 29, 2010

Secrets Of The Last Show On Earth

In the summer, I read an interview in Hi Fructose magazine with Todd Schorr. In the interview he's talking about how you approach your work, how little time we have here, and why would you ever let yourself rush and put out something less than what you'd struggle to be your final best piece ever. Now we all know what an unbelievable painter Todd Schorr is, but that one interview stuck with me, and really set it's hooks in.

So when I was tossing around ideas and inspiration in my head before I began work on this show of mine, this notion was in every fiber. This body of work has been in the making for 8 months now (not including the 3 months prior to painting of prowling around in my mind), I'm on the home stretch, and looking back, I'm WORKED. It's definitely the tightest, most eager heartfelt struggle I've put out - which is what I held myself to WITH NO EXCEPTIONS. If I had this ONE LAST CHANCE to do a complete show and solid body of work, what would I do? What would I say? How would I lay it out?



In each of these new pieces, there's story. Little bits of story to make up the big story ~ the heavy bulk of the show. There's lots of symbolism as I've always hidden in my work, secrets and stories that most people will never know. That's how it goes with art works and their makers. But if these images grab people, make em look twice, make em feel...anything, and they never know the secrets - that's fine with me. As long as they're looking!



So as I go downstairs to chip away at these final pieces, I hope you are all doing well, and doing exactly what you want to do - with no exceptions! Fare well, my friends!!

Wednesday, April 21, 2010

The Story



For those of you who are familiar with my work, my past shows and what not, you know that my personal life influences my artwork 100%. You'll find what's going on in my life parallels the work I'm doing at any given time. My new show is no different.

So if I'm going to talk a bit about my show here in this blog, I'll need to address the very core of the show's soul, which is the aftermath of my mom's passing 2 years ago. Before her, I had never experienced a loss in such great magnitude. It has left me broken, my heart in a million pieces. Two years later, I'm thinking a lot about life, death, and what lies beyond that.

This is where my story begins...My Heart Shall Not Fear...what lies beyond death.

Thursday, April 15, 2010

The Upset



I've been working on this one piece for a while now. After sketching out the piece in my sk. book, I was very excited to tackle it - and when my husband finished making the panel for me, my paints exploded onto the surface in a fever. Then, as most paintings go, I found myself in a snag. Thinking about color, balance, color & balance...overthinking probably, color, balance, color, balance...



I put it in the corner for a week, started and finished another smaller piece (which I found had the same amount of snagginess - I got thru it quicker due to the size), and now I'm back to the bigger piece again. When this happens, I HAVE to push thru the scary parts, take it one step at a time, and soon enuff I find myself flowering and fancying the process and piece. It's a rush of ambition, anquish & control at that point, and finishing the last touches is soooo rewarding. I don't know how many times I've suffered thru this - I'm pretty sure EACH AND EVERY painting I've ever done (in my life) I've found myself here. It's upsetting, and I've watched myself as of late, how I deal with this upset.

...Do wanna know what happens?



I find myself sitting in front of the piece, stuck in a funk - and inside, my mind starts to think of other things I can be doing (instead of painting this piece). It immediately tells me "I'm hungry...go into the kitchen and open the fridge." Soon enuff, I'm putting the wrapping on my palette, and wondering into the kitchen. If I wake from this lie (that my mind has wrapped my body in like a spider), I'll realize I'm not hungry at all and go upstairs to the computer. Where, let's face it, SUCKS UP QUITE SOME TIME if you allow it...And all the while, my guts are churning, worrring, suffering about that painting downstairs.



I'm sure (in fact, I'm certain) every artist that loves what they do goes thru this. (Maybe not the "I'm hungry" scanario, but the UPSET.) Otherwise, there's no challenge, there's no feeling and no growth. But it's hard, and it hurts. I hate to sound like an artist, but ... I am an artist. Suffer with me. :)

Wednesday, April 7, 2010

So Many Sides Of Why



In the beginning of getting ready for a new body of work, for a solo show, I toss around ideas, stories, and inspiration in my head for MONTHS. Until the point where I have a substantial amount of wild inspiration and I can no longer keep em organized in my head ~ then I start sketching like mad.



The story has to relate to myself at the time, and it takes on many different faces and many different turns as it all develops and comes together. Sometimes it feels like I've got a hundred wild horses, running every different direction, and I need to reign em all in. At this point I feel very anxious. By the time I start sketching, the stress is lightened a little - then by the time I start figuring out sizes for panels and settle on pieces I want to paint, I feel very excited to get started.

I started painting back in October.

Monday, April 5, 2010

Willkommen!

Welcome!!

We're closing in (fast!) on my next solo show and I really wanted to create a place where I can document my process and take you along for the ride. The title of my show is "My Heart Shall Not Fear" so here I've created "My Heart Shall Not Fear" - the blog.

The process of creating pieces for an entire body of work is long and hard - but worth every minute. I can share my thoughts, inspirations, some secrets and whatnots so that by the time I reveal actual finished pieces to you, you'll have a better understanding of what (as an artist and human being) I'm trying to convey. Sound fun? Come visit me often!

Opening Night: June 26th, 2010 at the Corey Helford Gallery in Culver City California. Updates will follow for giveaways and special opening night goodies (cuz you know I'ma sucker for that stuff!)

Brandi Milne